My work takes shape through a series of self-sufficient, often absurd, fictional business ideas. These projects are not designed for market success but act as conceptual frameworks. They explore artistic autonomy, labor, and the social forces that shape our lives. The resulting sculptures and installations blur the lines between functional object and speculative tool, occupying a space between the art market and the industries they mimic.

Motivated by a wish to reclaim agency and counter social alienation, these works combine fiction and function as forms of creative resistance.

Projects include:

• Dogs Die, Love Doesn’t – Memorial statues commemorating deceased dogs.
• Gentle Bite, Long-Lasting Pain – Portable self-defense sculptures for individuals facing social and physical vulnerabilities
• Deep Pleasure Pool Club – An artist-led cooperative designing and constructing art swimming pools.
• Pro-Teapot – A teapot start-up addressing the weight of invisible labor and the illusion of free energy.
• Grand Tool Supply – Sculptures engineered as tools for working grandmothers. Intentional flaws both honor their labor and question conventional efficiency, reflecting the ironic relationship they maintain with productivity.
  
  

Spit-Spirit is my newest venture, producing bootleg jenever through a fermentation process that uses chewed bread. Drawing inspiration from indigenous alcohol-making traditions and Maria Lugones’s critique of “mayonnaise feminism,” which critiques mainstream feminism’s neglect of race, class, and indigenous knowledge, Spit-Spirit aims to queer consumption by offering an alternative to the sanitized modes of production and consumption of alcohol.

Through the interplay of fiction and function, my companies act as alibis for exploring human condition and social phenomena.